4.14.2009

The possibilities at the cutting-edge



Being in 21 century now, architecture is more free and flexible by computer design. The so-called digital architecture theory involves continued expectations of innovative computer graphic software and new images in the century. On the other hand, I am also considering about if this "conceptual image thinking method" would achieve the aim of "space of folding".

Recently (in the information era), almost everything has been influenced by the information age including the architecture. Since 1963 the fast invention of computer skill which include CAAD, A.I, 3D animation, model making have deeply impact to architecture design. Therefore there are multiple style of images that we can imagine in this digital era. When digital architecture this strong trend power comes, the definition of "digital architecture" still been debate and query. If the architects are satisfied with their "ART" works, do people like to live in the house, which covered by pc and internet? Some architects said "architecture is a liberated form" so the "free from" appears, another architects said "architecture is a container of information" so the "digital wall" appears…

Compared to the traditional architecture the digital architecture use computers or digital systems to help create or design even build, and the digital one use the different types of space environments, the differences are lots of combine information involved in digital design which is totally different than the traditional one. Every era has different technology, now the "digital" and "information" are the peculiarities. Apparently the changes are not only the form of the architecture but also the thoughts and process of design.

"The so-called [smart house] of tomorrow will be characterized not by its architecture, properly speaking, but by small-scale gadgets and the information systems to which they call wired."
[1]

Since 1990 the digital technology made the form and space of architectures changed to curved lines or surfaces, so architecture became soft and the space inside became flexible. But when we look at all the forms that we called it "digital" are all free form and smooth. Could "free form" be "HARD" ? Or another types of free form which with lots of straight angles?


Too many possibilities...


J' @ UCA UK


Reference:
[1] J.Abbott Miller, Sings and Spaces, New York. Rockport Publisher, page 9



GUGGENHEIM MUSEUM BILBAO

Brilliant digital design


In this building, it is very difficult to use the normal shapes or geometry which we are familiar to combine or to describe its form, Just let me call it – unphysical architecture. However now we know that one part of his inspiration came from his messy drifts or some screwed up papers, and so that we could understand why it's that form! At first this kind of special design style made a huge wave in architectural field, and now it becomes to "Gehrian Style" !

The John Simon Guggenheim Memorial Foundation was established in 1925 by United States Senator Simon Guggenheim and his wife as a memorial to a son who died April 26, 1922. The Foundation offers Fellowships to further the development of scholars and artists by assisting them to engage in research in any field of knowledge and creation in any of the arts, under the freest possible conditions and irrespective of race, color, or creed.

Meyer Guggenheim created a successful business importing lace, but made an investment in Colorado silver mines that put the Guggenheim family into the mining and smelting business, a business (the American Smelting and Refining Company or ASARCO) that expanded to include copper and nitrates not only in Colorado, but eventually in Mexico, Alaska, Chile, and other places around the world.

The first Guggenheim museum was built on fifth avenue in New York in 1959 by Frank Lloyd wright. Till now there are Berlin branch Venice branch and Bilbao branch around the world. Las Vegas branch closed last year. Before 1991 Bilbao is a small industrial town near by sea. Since the later part of nineteenth century Bilbao had been a bustling industrial and mercantile community , but in recent times, in the face of recession, it has been in the difficult position of making a transition to high-service industries.

After few years, Bilbao has a stunning Guggenheim museum branch which covered by shining titanium material, glass walls and massive limestone. There were 1300,000 visitors in the first year and there were over 4000,000 visitors in last 3 years , they were also brought over 4.5 hundred million US dollars incomes for the government and the city. Now Bilbao become the new art culture center of Europe, because of Bilbao "Guggenheim museum" is not only the name of art area. This regenerative power makes the city reborn, we call that- "Guggenheim effects".

Bilbao is in Basque region and it is also the fourth big city in Spain. The government put it in the plans of main upgrading city.



Area: 28.500 square meters

Schedule:
Begin Design – 1991
Begin Construction – 1993
Completion – 1997

Frank O. Gehry




That open area(site) is the geocultural triangle of Bilbao, the river is in the middle of it. There are three major cultural facilities around the museum, the Deusto university, the Bellas Artes museum, and the opera house.

No doubt compare to traditional architecture the digital architecture needs more and more high technology support. Gehry's design can be completely built because of Jim Glymph. He is good at digital technology and the most important staff in Gehry's studio, he brought Gehry's dreams come ture!

Mentioned about to build this kind of weird architecture it's not easy stuff. From the beginning of drafts and sketches transformed to the scaled model, and then use the digital 3D precision instrument transformed to computer model, after that the work team has to solve the plans and functions. Finally it will become to construction plans . It is impossible to be done without computers!

Ask yourself what's your first impression of Guggenheim? The museum in Bilbao covered by titanium? Or the famous architect – Frank O. Gehry? Or do you know what's the most important artefact inside? I think only few people know about the last question, this means the building itself makes a deeply impression to everyone than the "Guggenheim Museum" !


By the way, it's a pity that Guggenheim Museum Taiwan branch project which designed by Zaha Hadid, can not be approved by the government in 2004...






4.04.2009

原生設計

The Essentials


近十年來的資訊觸角蔓延異常迅速,遍及各種領域層面
這世界也被繁雜的"多樣性"所覆蓋著
雖然"多樣性"豐富了生活的表面
但或許實質上在表象下的意義是略顯空虛的

在建築的領域裡,因數位科技的發達
各種形體被塑造的可能性,已經幾乎不是天方夜譚
各種可應用的材質也一一被發展...
大量的花樣材質搭配上基本元素鐵件,玻璃,鋼骨,石材...etc
乍看之下或許我們可以用"現代建築"來形容他
至少在表象上的某一方面(材質)滿足了當代的需求
但說不出似乎少了些某種不存在的東西
是"精神"嗎?是"意義"嗎?還是都不是?

也因為如此,所以"獨特性"的建築風格更能在紛亂的時代發人省思
安藤的清水混泥土,外觀材質具有"單一性",原始的材質能引導人們對空間的思惟多一些,而不是只focus在表皮上!
而Gehry 的鈦金屬skin建築,是另一種"單一性"的表徵,他將最新的科技打造出新建築的皮膚,
流線不規則的量體,讓人們重新思考建築量體的外型可行性
還有ZAHA 的curving , TOYO ITO的carving...

回到室內更小的範疇內,
我們常思考著空間設計的重點到底是什麼?
是業主的需求?花俏的造型,多變的材質?
這些充其量不過是台式的表面裝潢工作,再多的材質,再多的造型總會"膩"吧!
真正能讓人感受到的,不外乎是些自然的基礎元素
灑落的陽光,流動空氣,搖曳的光影,順暢的動線
與活動在空間的人們互動的狀態...

我們的生活方式可以改變嗎?
近年來在台灣流行起的,LOHAS,自然風,單車風
不就是在複雜的生活現狀中,找回原始的純真而已嗎?
換個角度思考,我們的生活中可放棄的"不必要性"元素實在太多
滿足的基本生存需求,是否其他都是多餘的呢?

空間上亦是如此
基本的機能需求滿足了,是否可以不需要其他的綴飾?
不是極簡風,也不是現代風,更不是所謂文字可定義的XX風...
先遺忘所有生活上的負擔,讓基礎機能滿足你的基本需求,
其他的空間就暫時放空吧!



老梗說: LESS IS MORE !